Lawn Head Boy

Speak.   Chants.   Wear.   Wash.   

To whom do I owe this pleasure, this peril?
oldbookillustrations:

Bandaging of fractures, plate XXI.
From First aid to the injured; with special reference to accidents occuring in the mountains, by Oskar Bernhard, London, 1900.
(Source: archive.org)

oldbookillustrations:

Bandaging of fractures, plate XXI.

From First aid to the injured; with special reference to accidents occuring in the mountains, by Oskar Bernhard, London, 1900.

(Source: archive.org)

— 7 hours ago with 231 notes

iheartmyart:

Latvia-based MAREUNROL by Marite Mastina-Peterkopa and Rolands Peterkops at Not Just a Label 

via I’m Revolting

— 9 hours ago with 508 notes
donaldj:

barbara bloom, girls’ footprints (2007)

donaldj:

barbara bloom, girls’ footprints (2007)

(Source: endthymes)

— 18 hours ago with 2032 notes
mexicanist:

'LXV' housing concept by French architects Planda and Simon Bauchet

mexicanist:

'LXV' housing concept by French architects Planda and Simon Bauchet

— 1 day ago with 388 notes

billykidd:

Luma Grothe was shot by Billy Kidd.

THOSE PANTS.

— 1 day ago with 397 notes
#wear 
bienenkiste:

Fei Fei Sun by Christian MacDonald

White white.

bienenkiste:

Fei Fei Sun by Christian MacDonald

White white.

— 1 day ago with 382 notes
vroomheid:

2004 IG/RS, A Magazine curated by Maison Martin Margiela.
Each issue is a new adventure. Because our guests “design” their own magazine, it is “invented/reinvented” over and over again. With Maison Martin Margiela this adventure brought us into contact with everybody that has ever had ties with the house, long or short. Permanent staff members, casual collaborators, trainees, assistants, models, artists, photographers, musicians, choreographers, filmmakers: some of them are still closely connected to the house, others have since gone their own way. Maison Martin Margiela and the “extended creative life and expression of the house” became the leitmotiv. Therefore this magazine is like a reunion, where all of these people were invited tobe present within its pages, to show what they are working on at the moment or a piece of work which still remains very dear to them.
Since its very beginnings the Maison has worked with white, in all its shades and temperatures, as a unifying signature. A trace of these whites, in their many expressions, overt and hidden, runs as a thread between the participations.
“The past is what bonds us — The future leads us” became the dress code for this reunion. — Hilde Bouchez & Gerdi Esch, Editors

vroomheid:

2004 IG/RS, A Magazine curated by Maison Martin Margiela.

Each issue is a new adventure. Because our guests “design” their own magazine, it is “invented/reinvented” over and over again. With Maison Martin Margiela this adventure brought us into contact with everybody that has ever had ties with the house, long or short. Permanent staff members, casual collaborators, trainees, assistants, models, artists, photographers, musicians, choreographers, filmmakers: some of them are still closely connected to the house, others have since gone their own way. Maison Martin Margiela and the “extended creative life and expression of the house” became the leitmotiv. Therefore this magazine is like a reunion, where all of these people were invited tobe present within its pages, to show what they are working on at the moment or a piece of work which still remains very dear to them.

Since its very beginnings the Maison has worked with white, in all its shades and temperatures, as a unifying signature. A trace of these whites, in their many expressions, overt and hidden, runs as a thread between the participations.

“The past is what bonds us  The future leads us” became the dress code for this reunion.  Hilde Bouchez & Gerdi Esch, Editors

— 2 days ago with 93 notes

'L'école' photographed by Dakota Gordon for Oyster

'L'école' photographed by Dakota Gordon for Oyster

(via opaqueglitter)

— 2 days ago with 176 notes
bienenkiste:

Photographed by Jamie Hawkesworth for Self Service S/S 2014

bienenkiste:

Photographed by Jamie Hawkesworth for Self Service S/S 2014

— 2 days ago with 128 notes
omgthatdress:

Suit
1870s
The Metropolitan Museum of Art

omgthatdress:

Suit

1870s

The Metropolitan Museum of Art

— 3 days ago with 24 notes

Zuzu Tadeushuk in Russh April/May 2014 by Clare Shilland

Zuzu Tadeushuk in Russh April/May 2014 by Clare Shilland

(Source: moldavia)

— 3 days ago with 511 notes